Celestial Bird

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The Celestial Bird - Peacock


Morkuti Picchavai (Dance of the Peacock) - Cotton, 183 cm x 122 cm

The figurative patterns that were used in Indian and Persian art were mostly allegorical and have symbolic significance; for example, in the textile above, the peacocks dance for the attention of a flock of peahens - it is said that, similarly, Lord Krishna danced like a peacock to court his beloved Radha. In Persian art, the figure of the peacock is not only widely used in book illustration, mural decoration, pottery, etc., but also in figurative patterns in mosques.

In general, the image of the peacock is a cross-cultural symbol, and in many cultures and traditions, the peacock appears as a symbol of paradise, rebirth, the incorruptibility of the soul and a symbol of immortality. The bird is also a symbol for the story of the heavens and hence, resurrection and everlasting life. In the East, it represents a symbol of rebirth in the mythology of Hinduism, Buddhism and Islam. The peacock also became a symbol in Christian art and iconography. During the first ten centuries of Christianity, the peacock was a popular symbol for Christ. It was also known as the symbol of the resurrection, and in many medieval paintings, angels' wings are composed of peacocks' plumes.

Dscn0890.jpg (62385 bytes)What I am attempting to create here is a highly stylized form of a peacock. Smalti and gold will be used as the main tesserae for this project. The figure will also be highlighted with an assortment of jewels. As a departure from using plywood as the base and then having it framed, I am using a picture frame molded of resin, but possessing a wooden base... it is pictured on the left. Another new material that will be used here is "transparent" smalti - tiles that have all of the luminosity of jewels. Since these tiles and the jewels that will be used stand out better against a white (or light) background, the base is not stained prior to working on it. I did however, wash the base with a solution of Weldbond and a tiny dollop of white acrylic paint. A siliconized-latex adhesive (that dries white) will be used. As usual, the drawing was done on transparent paper and then transferred to the base using carbon beneath it. The jewels are set in mounts made of silver.

This is what the "transparent" smalti look like ----> Dscn0892.jpg (97449 bytes)

Dscn0902.jpg (72694 bytes)Set about laying some of the jewels (white and bicolored sapphires, peridots and citrines) around the neck and central torso. The eye is a single peridot. The siliconized-latex ashesive being used is "gloss white" DAP Kwik Seal Plus with Microban Antimicrobial Product Protection, obtained from Home Depot. It claims to adhere to ceramic/plastci tile, glass/porcelain, cultured marble, wood/metal, fiberglass and drywall. Proceeded next to create the "eyes" in the plumes. They are composed of alternating circles of peridots and midnight blue sapphires encircling a solitary circular bead of jade.

Dscn0904.jpg (92152 bytes)Filled in the neck and the surround using the transparent smalti, and white gold; am not too pleased with the adhesive properties of Kwik Seal; will use Weldbond or another siliconized-latex.

 

 

Dscn0915.jpg (93291 bytes)Worked on the torso next; used square cuts of the transparent smalti for the most part; it is bordered with white gold and metallic cobalt smalti (white gold under cobalt glass); FYI....Kwik Seal did create quite a firm bond, BUT took almost five days before doing so! The legs are composed of jewels encircling pale green transparent smalti; the wings are "burnt orange" smalti divided by pearls. Filled up a little more spaces around the torso with transparent smalti....will be working on the plumage next. 

Dscn0916.jpg (78950 bytes)Started filling in the plumage with white smalti...alternate feathers will be filled with another color.

 

 

Dscn0922.jpg (93981 bytes)Completed filling in the plumage with yellow and green transparent smalti...it's on to the background next. 

 

 

Dscn0925.jpg (94144 bytes)Started working on the background...attempting a pattern in keeping with the plumage....intentionally left a little space between the tile to resemble grout... am using olive green and metallic cobalt smalti for the background.

 

Dscn0933.jpg (136094 bytes)Here it is, in it's final form .........